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Edward E. Boccia, An American Artist is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of the book Edward E. Boccia, An American Artist.
Donations may be made online here or if you prefer to donate via check kindly send to The Edward E. Boccia Artist Trust, 600 Harper Ave., St. Louis, MO 63119, USA. Please note that all checks must be made payable to “Fractured Atlas” only and are tax-deductible to the extent permitted by law.
If you have questions please contact us at 646 595 9962.
About the Book
This is the first critical survey of the artist’s oeuvre and will include over 100 color plates of the artist’s paintings, including a number of pieces never before seen in public.
Four thematic sections will highlight the complex and engaging iconography of Boccia’s practice while also discussing his work in the context of 20th century American art history. The book will be printed by the prestigious art and architecture publisher Scheidegger and Speiss, Zurich in cooperation with Park Books and Chicago University Press, 2019. The primary author is Rosa JH Berland, Art Historian with contributions by CC Marsh and Alice Boccia.
Our professional editorial team includes Matthew Dunleavy, Project Editor, and Lisa D. Berland, Copy Editor (Volunteer). Sabrina Xiyin Lin, Project Assistant with Steven Leible, Photography.
We owe a special thanks to the Phoebe Weil, Hillary Kapan and Dr. Kevin Berland for their generosity as well.
The Edward E. Boccia Artist Trust is delighted to announce we have selected Scheidegger & Spiess, one of Switzerland’s leading publishers for art, photography, and architecture for our upcoming monograph EDWARD E BOCCIA -AN AMERICAN ARTIST. This book is edited and written by Rosa JH Berland with contributions by Dr. Alice Boccia and CC Marsh.
It shall be the first critical full length study of the artist’s work and will serve as the authority on an important American artist while engaging in a more general discussion of hierarchies of style and genre within American twentieth century art.
The book will showcase photographs of never before seen artwork, reveal the innermost workings of the artist’s mind and technique and present a picture of creativity in mid century to contemporary America. Publication date is 2019-2020. We are currently in our editing phase and final fundraising efforts.
We welcome support of any kind to help us fund the publication of this innovative book, a first of its kind only possible through the patronage of our friends, family and colleagues. Please visit our donation page at Fractured Atlas, donations are tax deductible as per IRS regulations.
Recent article on Boccia and his links to modernist mid century artistic practice and critical reception.“Cezanne’s Apple and Edward E. Boccia Hierarchy, Revolt and Artistic Innovation in 20th-Century America.” by Rosa JH Berland, Ekphrasis (2067-631X) . 2015, Vol. 13 Issue 1, p118-141. 24p
The reconstruction of the twenty-first-century imagination (ideologies that shape our “imagined world”) and aesthetic view through the “authentic” modes of abstraction, conceptualism, and the lens of media and digital technology has led to a new way of understanding and experiencing creativity. While these are certainly new or original critical experiences, there are other types of creativity, ideologies and imaginary worlds that are quite separate, and sometimes polemically opposed to this genre of making and looking. An example of this type of creative visualization and boycotting of the supposedly authentic gesture is the work of the late American artist Edward E. Boccia, who devoted much of his life to a series of panel paintings that take as their subject problems of politics and society, as well as religious experience in the twentieth century. Made between 1956 -2006, the large scale altarpieces represent the phenomenon of figural creativity produced in traditional studio mediums in mid- to late twentieth-century America.
For access to this entire article, please check with your college/university library, local public library, or affiliated institution.
Copyright of Ekphrasis (2067-631X) is the property of Babes-Bolyai-University, Faculty of Theatre & Television.